17 March, 2007

Smartboard publicity pictures

Since my attention was drawn to SMARTboard technology via TV (see my ICT-blog 16 March 2007), I looked up some pictures via Google Images and ended up with two ranges of SMARTboard pictures: the amateur pictures from the users, showing the device as is, and those from the firm itself which are used for publicity...
This is a great example of how pictures can be manipulated for the use of publicity!
Here are some official pictures:
  • From the Japanese site (happy multicultural kids (which is great!) but the shadow is false. It doesn't hide the projection completely as it does in reality!)
  • From the Amphitheater schools. You can find reality pictures there too, but this is a manipulated picture: all shadows are false and the picture is over saturated to make it colourful.
  • Yet another nice one from a Swedish site: the position of the projector (angle) can never correlate to the projection as shown. Since it is under our eye-line, the shadow of the arm should be on the upper part of the arm, ànd should be full, not half transparent.
  • Magiboards site shows a picture on which the shadow is not correct. It is never semi-transparent, but should block the picture completely! However this would show the negative side of the technique so it must be manipulated!!!
  • Yet another one: see for yourself.

And these are pictures taken by amateurs, showing you the reality.

Although I think a device like Smartboard can have its pros, potential customers shouldn't be manipulated by unreal pictures. It also shows that the salespeople are quite conscious of the downsides of the system...

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20 February, 2007

Panorama Maker 4

For years the creation of panorama pictures was a tempting engagement, and some were really a success. Up to now I used the Canon PhotoStitch software that came with the digital camera. But I had three versions of it: the one that came with my Powershot Pro 750, one with the Canon EOS D30, and finally the one that came with my latest Canon EOS 350D. One point however: it's always the same version 3.1! Never was it upgraded by Canon.
So on my quest through the world of photo editing software, I ended up at the new Panorama Maker 4 by Arcsoft. Great stuff, I can tell you. Other software has always battled with ghosting or lining in the skies. No way in this program! It produces the cleanest stitched pictures I have ever seen. Here is an example:
First the one made with Panorama Maker 4

Then the one made with PhotoStitcher 3.1

I suppose the difference is clear! In the older programs you could still define some common pixels on the two merging pictures. Not so in Panorama Maker: all is done automatically. Even the hardest chore will be done well, or will not be done at all. In the latter case this means that merging is not possible.

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17 January, 2007

Essential changes

Here is an older example I was working on last year and which, for some reason, popped up on my desktop this morning.
I love the "cut the (visual) crap" principle in photography and PS is a blessing for the creative photographer. The "pure" picture is very hard to make in one go. There are often elements that bother the viewer.


Take this example: What I loved on the spot (and the spot is the island Sifnos - Greece) was the weird perspective of the church combined with the subtle game of shadows. But I especially loved the combination of the huge building and the more traditional blue-topped church in the far background... That to me was the essence of the picture when I took it; that attracted me... I had taken the picture some years before, but for some reason or other it hadn't satisfied me...
But even now, I was bothered by some aspects:

  • The tree has no function
  • The wire disturbs the picture
  • On the bottom-left you can see part of a wall. No way to get the combination of the two buildings without the wall...
  • The door is an unnecessary eye catcher
  • Is colour necessary in this picture? Does it add value?

So I changed a number of things:

  • I "cloned away" the door and the wire
  • I selected the floor and wall, and warped the whole until the wall had gone. The warping stretches the floor and makes the entire picture a bit more dynamic.
  • I greyed-out the sky, changed the whole picture into grey tones, except for the blue dome which underlines the "Greek" spirit of place in this picture...

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